A woman draped in molten gold garments strides through an endless Baroque corridor, her silhouette reflected infinitely in the obsidian marble floor, Vermeer lighting casting elongated shadows from unseen arched windows, chiaroscuro emphasizing the tension between her warm metallic glow and the cold architectural grandeur, each archway revealing progressively distorted versions of herself in a recursive nightmare of opulence, gold leaf peeling from Corinthian columns to reveal rusted iron beneath, the air thick with incense and the scent of tarnished mirrors, cinematic wide-angle shot with a 24mm lens causing subtle curvature at the edges, color palette of burnt umber bleeding into vantablack with whispered highlights of pyrite yellow, texture contrasts between liquid silk drapes and corroded metal filigree, foreground dominated by her trailing sleeve melting into mercury droplets, midground with collapsing perspective of identical arches, background dissolving into a blinding golden void, in the style of Zdzisław Beksiński meets Gustav Klimt's Byzantine phase
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