highly reflective faceted crystal ball with complex geometric fractal patterns, centered on a polished white acrylic surface, studio lighting with cold cyan temperature (6000K), crisp reflections bouncing off each angular facet, deep Prussian blue to electric purple gradient background, neon yellow and cadmium red refractions splintering through the crystal's internal structure, visible IOR distortion warping the surface reflections, precise specular highlights on razor-sharp facet edges, soft Gaussian bokeh blur in the gradient distance, matte gray 2:3 aspect ratio border framing the composition, macro shot with 100mm f/2.8 prime lens at 1/200s shutter speed, Kodak Ektachrome 100 film stock, color graded with lifted blacks and punchy saturation in the cyan/magenta spectrum, subject positioned using golden ratio grid, influences from Moholy-Nagy's Bauhaus light studies and James Turrell's optical installations, clinical yet psychedelic atmosphere, subsurface scattering visible in thicker crystal segments, chromatic aberration subtly enhancing the prismatic effect, studio strobes positioned at 45° and 110° to create overlapping catchlights, infinite white horizon line beneath the sphere
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