A visceral and terrifying close-up portrait focusing on the symbolic transformation of a soldier’s face into a horrifying, multifaceted insectoid entity, representing the "facelessness" of the masses in Chen Mou's narratives. The skin is physically splitting and peeling back in leathery strips to reveal a hard, segmented exoskeleton and grotesque, unblinking compound eyes beneath the human mask. The linework is thick, raw, and incredibly aggressive, prioritizing the clinical logic of biological horror and the precision of a master ink artist. High-contrast chiaroscuro lighting highlights the wet texture of the dissolving flesh and the cold, unfeeling glare of the compound eyes, creating a chilling visual metaphor for how war strips away humanity and leaves only the predatory instinct of the swarm.
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