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    YanCorb style, detailed mixed-media portrait of a man, three-quarter profile, looking upwards with eyes closed and lips slightly parted in contemplation, his right hand raised near his face with fingers splayed. The man has short, dark hair. The artwork features dynamic, expressive black outline strokes, cross-hatching, and scribbles, overlaid with textured, abstract blocks of color in muted tones of beige, light brown, grey, and pale blue. Areas of the face show a collage-like assembly of shapes and colors. A light-colored collared shirt is visible, patterned with abstract blue, grey, and black paint splatters and scribbled lines. A strong, dark grey shadow is cast behind the subject against a solid light beige background. The overall style is raw, fragmented, and emotive, combining elements of drawing, painting, and graphic design with a distressed, street art aesthetic. <lora:Yannick_Corboz_zit_7:0.7>
    Prompt

    YanCorb style, detailed mixed-media portrait of a man, three-quarter profile, looking upwards with eyes closed and lips slightly parted in contemplation, his right hand raised near his face with fingers splayed. The man has short, dark hair. The artwork features dynamic, expressive black outline strokes, cross-hatching, and scribbles, overlaid with textured, abstract blocks of color in muted tones of beige, light brown, grey, and pale blue. Areas of the face show a collage-like assembly of shapes and colors. A light-colored collared shirt is visible, patterned with abstract blue, grey, and black paint splatters and scribbled lines. A strong, dark grey shadow is cast behind the subject against a solid light beige background. The overall style is raw, fragmented, and emotive, combining elements of drawing, painting, and graphic design with a distressed, street art aesthetic. <lora:Yannick_Corboz_zit_7:0.7>

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    AUTOMATIC1111
    Sampler
    seeds_3
    Seed272147989062484
    Steps8

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Created
    1/10/2026
    Source
    CivitAI
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