
A surreal interrogation room deep inside a decaying government bunker, Enki Bilal inspired political sci-fi, cracked turquoise and green tiles with water stains, mold and rust, leaking pipes running across the ceiling and dripping into a metal bucket, cold flickering fluorescent tubes casting a sickly blue-green light, a heavy metal table covered in scratches, burn marks and cigarette stains, a pale politician with a cybernetic eye and subtle implants in an outdated torn suit sits nervously, tie loose, across from an officer in an old trench coat with integrated futuristic armor plates, his face calm but threatening, dark circles, metallic augmentation at the temple, walls covered in messy maps, red strings, coded notes and diagrams of fictional Eastern bloc nations with strange emblems, an old monitor showing grainy surveillance footage and biometric data, cold blues, muddy greens, ochres and dirty whites, expressive faces, psychological tension, painterly strokes, textured shading, framed like a graphic novel panel, high detail dystopian interrogation scene.
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