A woman stands in a dimly lit room, her half-figure form composed of intricate circuit boards, motherboards, and electronic components (1.5). Her detachable faceplate, crafted from sleek circuit board fragments, capacitors, and etched circuitry, is held delicately in her hand (1.6). The faceplate’s hollow, lifeless sockets and fine gold-traced pathways glint faintly in the room’s dim purple light. In her other hand, she cradles the face as though it were a delicate mask, revealing the dense, layered mechanics beneath. Beneath her removed faceplate lies a detailed assembly of electronics and hardware. Her exposed "face" is constructed from tightly packed motherboards, ribbon cables, and clusters of capacitors, resistors, and microchips. Thin, branching wires run across her features like artificial veins, connecting small processors embedded beneath her circuit-board structure.

A whimsical illustration of an african woman with horns wearing formal robes, in a lamp lit stteet, hints of black and red, african tribal elements, reminiscent of Beatrix Potter's watercolour style, with loose brushstrokes and soft, dreamy textures, blended with the whimsy of Eric Carle's collage illustrations and the charm of Quentin Blake's playful linework, in a warm colour palette with subtle shading and gentle, expressive character design